After a pause during the holiday season... I'm back.
Tons going on, and tons HAS gone on since my last post.
On December 5, I judged the
CCSD High School Honor Band auditions, which was among other things, an eye opening experience. It really gave me an idea of the capabilities of some of the studies in the district, but more importantly it showed me that my services are desperately needed here... which really got me going with all kinds of ideas on ways to help.
The strangest thing about all of this is that no one is asking for help. I get requests from the same schools, on a rotating basis... I even have two regulars that I go to on an almost weekly basis. The majority of these are middle schools, I have only been in contact with a small
hand full of high school directors.
One of the most consistent issues on the December 5 Honor Band audition:
- Students not knowing Fingerings past high C
- Students not knowing Scales, or not being conscious of Key Signatures
- Sight Reading, Sight Reading, Sight Reading!!!! ( I chose the opening of Mvt.2 from Brahms Symphony No.2 for it's simple, yet varied rhythms including a triplet and the challenge of a grace note )
- Most students had problems with Intonation, the majority being Flat in pitch
These deficiencies all center around basics:
Embouchure formation
TonguingBreath Support
Reed Selection
Instruments in need of service ( I came across my first absolutely-will-not-play-a-single-note oboe this week at a middle school )
I feel as though many directors themselves shy away from the oboe, because of its many "complications" and "specific needs"... perhaps not even putting students on the instrument because of their own insecurities. I have had countless directors admit this to me, which I can understand, but cannot be sympathetic. To these directors I say... forge ahead and face these
oboistic challenges head on!
Or let me do it!!!
I think what will clarify a lot of oboe related topics, and provide some consistency within the district would be for me to give a presentation at some gathering of all of these teachers... I am
practically BEGGING them to let me give a presentation on how to start an oboe student, how to choose GOOD reeds for your students, and how to taking care of instruments and reeds, saving you time and $$$.
At one middle school this week, a director asked me if his beginning oboes would be able to develop a good sound over time, and if would start to come along soon after my visit.
I explained to him that it would come quite quickly if they would not be allowed to play on reeds cracked down the middle, because this problem was causing them to play nearly a half step FLAT.
Of course it is my job to solve these types of problems for students and directors, however, if I would be allowed to make a presentation with some of the documents I have written made available to directors... it would help everyone SO much!