More Deals!

So the pickings on EBAY are good right now-- really good! Could be that other musicians out there are strapped for summer cash (I usually am). Not as many gigs during the summer + oboe students traveling out of town = less $.

Anyway, their trash can be your treasure. Here is a great BAM case (same one I rely on) for a steal.

EBAY!

If anyone is looking to snap up some English horn bocals at a possibly great price, go to ebay and search "English horn bocal".

There are four on there for sale, here is only one of them.

Or this is you have an extra $8000 and feel like taking a gamble!

Come Down In Time - Elton John (Tumbleweed Connection 2 of 10)

A few days ago I was talking to my Mom on the phone, telling her about my idea to start a group of some type this year. I was trying to describe to her the style of music I had in mind, and she right away said "OOooo I remember a song of Elton John's with oboe or English horn in it" (it is oboe :) ).

Here it is, the song has a a good feel and I like the use of oboe in it!

Summer time and the living is... oboe.

I am getting back into my "usual" routine here in the desert after last week's IDRS excitement. I can't begin to say how truly amazing it is for so many double reeders to converge on a common locale. It is something that I would recommend to everyone, a great place to meet up with friend you may not have seen in awhile (mine couldn't make it this year :( ) and also to meet new ones. I was so happy to get to meet my friend Cooper Wright after a lot of talking on the web and even a phone conversation it was great to have an oboe hang!

The first day of the conference was great, one of the very first performances I saw was from Madera Vox, and I loved it. The musicians were so relaxed and obviously really enjoying themselves. I will be the first to admit that when I chose the oboe I didn't exactly have designs of being a classical musician at age 11. I gravitated more toward something like Madera Vox, or the idea of being a studio musician- just unconventional stuff.

One of my other favorites that first day, and a real crowd pleaser and standout over the course of the entire conference seemed to be THREEDS. They are an unconventional oboe trio, and they aren't playing your typical Beethoven Trio! They played arrangements of pop tunes by Kathy Halvorsen their lead oboist. It was so fun to hear a lively, non-classical performance. To see that oboe CAN break out of it's baroque based history into other realms like rock and jazz was so inspiring.

That day I also heard an interesting lecture by Anne Lemke about nurturing "Very Young Oboists". Of course I went because I have a ton of "very young oboists" pretty much all of my students are "very young", little did I know that she was talking VERY young... like 4-6 year olds playing oboe. This is a concept that while it was very interesting to hear about, is not something that I would be very quick to take up. While she addressed many of the aspects that can be tamed through child sized instruments and specifications, the main issue I have in teaching kids that small are- they are LITTLE KIDS. They don't have the attention span, not to mention the nervous system development to really be going into this stuff. I don't know... thats just me. Still, an interesting lecture and some good information on instruments in case I have some 5 year old come in for oboe lessons one day. :)

One of the great aspects of the conference were the nightly recitals which were mainly reserved for the double reed superstars. Big names like Gordon Hunt (he was a-mazing) Richard Woodhams, Katherine Needleman, Nick Daniel, Peter Cooper, etc etc. I just think that it is an amazing thing in this modern time to be able to walk into a concert hall and see these treasured performers. With the digital music scene being IT for the younger generation, heck even MY generation partially, some people will never experience the art of live performance just like I did in ONE single evening of hearing these artists. It is really a shame, and I pretty much try not to think about it. The price of the conference is well paying for itself in the incredible experience of seeing live music mastered by true artists like these. So great!

I won't go on and on, but my most favorite conference experience was on my last day there (Thursday) seeing my oboe grandpa Nick Daniel put on a masterclass. He focused on British works, Benjamin Britten Temporal Variations, Goosens Concerto, and Benjamin Britten Six Metamorphoses After Ovid. The energy and passion for MUSIC alone that he brought to the class was so exceptional. He cared so much about not just the individual playing but the audience and how they were about to receive what was being presented to them. He nurtured each performer rather than presiding over them, and within minutes had them playing more confidently and more expressively. One of the things he really focused on was the body, and how it affects everything we are doing as musicians. This is something that I am constantly thinking about, as I have had some real issues with pain in my right shoulder and arm over the years. It was great to watch him work on someone's body for only a moment and have their sound totally change, and watch their "instrument" really work to it's fullest ability. I loved watching him teach!

Of course I can't talk about the conference without talking about the SHOPPING! I LOVE going into the vendor area of the conference, while it is always initially a little stressful because there is SO much, it is so cool to see what new things the oboe "diagon alley" has to offer. One of the great things I will tell you to watch out for is a new English horn staple designed by the one and only Mark Chudnow. It has a tiny rubber O-ring embedded in the end of the staple so it won't come off of the bocal- buh bye old stinky shrink tubing!

I was really interested in trying out some oboes while there, because lets face it- these days people are playing what THEY like, not just Lorees anymore and I really want to be able to tell my students ages 10-21 with good working knowledge what is WHAT out there in the world of oboes.

Several friends have made the switch from Loree to Yamaha, I have posted about this a lot- so again I had to try some. While the ones that I tried were so responsive and easy to play especially in the low register- the thing that bothered me sooo much was a weird buzzy brightness to the sound starting on our favorite middle C and going upward. That is just me, and that was just those oboes on the Yamaha dealer table.

I tried out some new Loree AKs and a Buffet Greenline which was really a nice oboe. I had tried it in April at a gig when Steve Caplan let me play his, and liked it. I am definitely recommending it to my upper level students. One of the nicest oboes I played was the cocobolo Howarth XL oboe. I loved it, it played so velvety and smooth with a very consistent dark sound AND it is 10% lighter than grenadilla. AND ..... it is $9200 hahaha. Just like purse shopping, I magically pick up the MOST expensive oboe in the room. Of course it is awesome it is $9200 it had BETTER be! Still, it will be at the top of my list when I have the $ and the need to be oboe shopping.

My little old Loree is still chugging along, I am going to have the old girl repadded and adjusted this summer so that should help things a ton.

I am so looking forward to the rest of the summer with all of my students taking lessons and a syllabus to write for Dixie State College in the fall along with reed making and composing exercises for studio materials- I should have plenty to keep me busy for a little bit!

Oboemania!

May has been so crazy! Not only have I had performances every week but also I have been in the Phantom pit way more than usual-- which I absolutely love. Some people might think that it would be tiring to play the same music night after night, but I just love it there (probably because I am not the one actually doing it ALL the time ;)), in all serious though-- I would love to do it full time. It is a fabulous group of musicians who get to hang out night after night and make the show sound amazing. Then there is just the atmosphere of a show-- so fun.

Students, gigs, shows, it has definitely been a really fun, and really busy month. I am so looking forward to regrouping a little bit this summer and getting ready for my college oboe kids at Dixie.

On Monday the 30th I am taking off on my solo road trip extraordinaire to Tempe, AZ for IDRS 2011. I haven't been to a conference since I graduated from college, so I am really looking forward to it. As my husband teased me earlier in the week- going as a "real professional" now. I am ready to soak up some inspiration and new ideas!

May hasn't been totally sunshine and rainbows: on Saturday I received word about my resume as it was being reviewed for the Utah Symphony English horn audition. I should have probably known by the size of the envelope (normal sized business envelope) that kind of like college applications, if you get the little one- it is bad news. The big one probably would have had a cover letter telling me that they were pleased to accept me as a candidate, blah blah etc and then the rep list and more audition details.

Not so. They decided that my resume when considered against the stature of the orchestra was not stacking up. I imagine that they want someone who has had a job before, or someone who isn't 26 (could it be??). For whatever reason, I got rejected and told that I couldn't even try. That is kind of a sucky thing. To be told that you can't even try, which is what an audition is; a tryout.

It just goes to show, you never know what an orchestra is looking for and whatever it is, that is their prerogative. This biz is pretty subjective that way, but the payoffs always far outweigh the times like this. I'll just keep going :)

Rite of Spring for Wind Quintet (Part 1, 1/2)

Yay! This would be so fun to do-- now I just need to round up 4 friends :)

St. Oboe's Passion...

After some weeks away, AGAIN... I am back. I am always thinking of these great ideas and topics that I am going to blog about, especially as I am driving because I have sooo much time in the car. However, when it comes down to getting home and actually blogging, it is pretty darn difficult when I have the choice between dinner and my bed and the computer screen.

This past weekend I had the great pleasure of playing St. Matthew's Passion with the Southern Nevada Musical Arts Society. I was really looking forward to this project as it is a pretty huge piece for the two obbligato oboe\oboe d'amore\oboe da caccia parts. I was assigned to play the second obbligato part with Stephen Caplan playing first, a great chance to play with a talented and seasoned oboe professional and a great learning experience indeed.

This project reminded me how athletic it can be to be a professional musician. We have to take such good care of our bodies and minds in order to pull off a 3 hour long performance like this one. I struggled at times with the endurance needed not only physically, but the concentration that I needed mentally. It was a great experience that I feel thankful to have and although it was stressful, there were aspects of the performance that I did manage to enjoy.

One big accomplishment that I will own up to is that I did this performance totally naturally. By this, I mean that I didn't take beta blockers or any type of medication to prepare for this concert. Performance anxiety has always been a monster on my back, and especially while at grad school in San Francisco when the pressure was high and the competition extremely fierce. It burned me out a little bit. A lot bit.

Since the beginning of graduate school, fear was my constant companion. I had never been scared to play the oboe like I was when I was a masters student- I had never felt anything but enjoyment and pure happiness while playing. To cope with things I did use beta blockers for many performances and auditions, and in the process I lost a lot of myself as an oboe player.

In the past months I have been working to overcome my anxiety, realizing that it is present in my daily life- not just my musical life. It is definitely becoming more manageable and as I learn how to overcome it, I have moved away from the use of any type of prescription aides. So this performance was a milestone for me. It was great to be totally present in the performance, it was great to look forward to and to love playing again.

I definitely don't look down on anyone who use propanalol or any other drugs to aide them in their work, it isn't a sign of weakness -we lead stressful lives. However, it has been very liberating for me to realize that my best oboe self works better and is more happy without them.