Friday, December 17, 2010

Unusual Christmas oboist treasures


This is an oboe angel. Yep. Special, huh? I found her here.

Apparently this angel orchestra is a German tradition, and they handcraft these little cuties with all of the instruments-- there is even an English horn.

My parents got me one of these at the Christkindlmarket in Chicago, fashioned to look like me when I was a lot younger-- it has since been misplaced, and is surely somewhere in the depths of their basement. It is kind of my mission to find it this Christmas... We'll see if I am lucky!

Home for the Holidays and more ebay goodies...

I am home today! I taught my last students, sold my last reeds yesterday and then headed home for "White Christmas" on TV and a Pawl family Christmas celebration with my husband before we head off to Michigan to see our families.
I am getting our doggies ready to head to the vet for their own little "vacation", trying to pack (mostly procrastinating) and have ended up here on the computer browsing some blogs, sending a last few email correspondences and of course-- sifting through a little oboe ebay.

Today I came across THIS! Isn't it great? I never recommend buying instruments on ebay, for soooo many good reasons-- but a little window shopping and daydreaming never hurt, right?
The only other horn that I have seen like this one belongs to Marilyn Coyne of the San Francisco opera who plays a rosewood, Loree EH with gold plated keys--- it is beyond gorgeous.

I love these beautiful instruments (rosewood, kingwood) with the extra bells and whistles (gold plated keys, or rose gold plated keys), however, I am too scared to own one because I have always thought that with them comes a certain sort of expectation...

I mean you have to be 1st chair in the Chicago Symphony to justify playing an oboe that outwardly awesome right??!!
I am pretty sure that I am just severely insecure, but ehhh maybe one day I will get around to owning a truly remarkable instrument like THIS...

One of the most interesting instruments like this, (to me personally) is the Yamaha 841 Kingwood oboe with the lined topjoint. I have several friends who use this horn and really love it. I have played them quite a bit, my former teacher Pamela Smith, of the San Francisco Symphony had two a regular 841 "ninja oboe" as she called it, and a "chocolate ninja" made of Kingwood.
Still thinking on this....... the price is right that is for sure! :)

Wednesday, December 15, 2010

Oboes for Christmas

THIS is a great little book of tunes that I got for this holiday season to do at the end of lessons the past couple of weeks. The arrangements are appropriate for Middle Schoolers, though I did break them out for my high school kids too just for a little holiday cheer (good sight reading time!).

Who knew that I would have all this time to blog-- I guess that is one positive of having car problems! Can't go anywhere, might as well be informative! :)

IDRS

To all of the IDRS members out there-- don't forget, it is time to renew membership for the new year!

Tuesday, December 14, 2010

Adjunct Oboe Instructor

Oh! And I almost forgot!

Beginning in August 2011-- I am the new Adjunct Oboe Instructor at Dixie State College in St. George, UT. It is only about a 20-30 minute drive from our house which may sound like a small jaunt but seems like child's play compared to my 80 minute (one way!!!) drives to Las Vegas between 3 and 5 times a week.

I am beyond thrilled to have the opportunity to do some teaching on the collegiate level. Up until this point, this is not something that I have had the chance to do-- it is difficult to gain college teaching experience because most colleges either want someone with at least one year of college teaching experience, or someone with a DMA.

Dixie has just gotten their charter to begin giving a Bachelor's Degree in Music Education as well as Bachelor's Degree in General Music, so it seems like the perfect place for a young teacher to start out. I will have the opportunity to build my own studio, recruit and retain students and hopefully get a nice little studio going!

Whereas I was kind of daydreaming about going to IDRS 2011 this year, now it is a definite MUST with all of the planning and preparation that I will have to do for the fall. It will be a great time to get lots of inspiration, hopefully some new insights, and just immerse myself in the oboe world for a little while! It isn't as easy to do all of that out here in the desert.

If anyone reading this blog is or was at any point a collegiate level oboe instructor, and you have tips for me-- please send them my way- I would really appreciate it!





SO EXCITED :)

Ebay O' the Day

Many kids, both my private students and the like- are often asking me "Can you teach me how to make reeds??!!", to which I say "Yes, if you are a private student of mine and WHEN you get the necessary equipment".

Obviously age plays a factor too, I try to hold off until mid high school (don't want to scare them off too early ;)

But it is tough to accumulate all of those necessary (and some weird and difficult to find!) reed making odds and ends. If you have read this blog, you know that I am a big fan of Ebay and that I like to do quit a bit of oboe shopping on there. Mostly for reedmaking supplies, and the occasional music (NEVER for instruments) I recently found a Landwell knife that retails for approx. $90 for $50- brand new! wooo hoo!

Here is a bunch of reedmaking supplies that looks to be pretty nice.

Friday, December 10, 2010

Merry Merry!

Well that was quite the gap between posts!

Things have been BUSY-- which for me-- is good. No matter how much I actually whine about being tired or stressed, the truth is that I would rather be busy and working than NOT.

I can't believe that Christmas has crept up so quickly this year, but in just one short week- I'll be traveling back home to Michigan to celebrate the holidays in my hometown with my family. I am really excited as I rarely get to see them these days! I am too busy, everyone is growing up and spreading out all over the place, and traveling these days has become pretty $$$.

One thing that I always love at Christmastime is of course... the MUSIC. I know that many players get bored of pops concerts, carols, and of Messiah-- but I love it. I think that music really "makes" the holidays for most people and definitely for the Kramer-Pawl household! I love breaking out the christmas carol oboe duets with my young students (sorry high schoolers-- it is Ferling or BUST until honor band auditions tomorrow!) And I really, really LOVE getting to play Christmas tunes with pro groups. (This year I even tried to have a stash of Red, Green, and Silver reeds!!?!)

So I am always listening away, and growing up as a nerdly little oboe player was always listening to everything waiting to hear an oboe! I can't get enough of the oboe playing in all of the old Christmas movies, and of definitely can't get enough of any holiday favorites performed on oboe and english horn.

My first Christmas playing the oboe, my mom purchased a CD she had heard playing in one of her favorite shopping haunts. She bought it because she had heard some beautiful oboe playing. This playing turned out to be a great version of the Vaughan Williams Oboe Concerto. She played the CD, and was so excited- saying "someday that will be you!". You can imagine my face as an 11 year old beginning oboist my reaction was basically something like "you have got to be kidding". Although I was captivated by the amazing music coming out of our living room CD set up, I was doubtful.
I performed the complete Vaughan Williams Oboe Concerto for my Mom on two separate recital occasions to thank her for always believing in me. I think that is what is so magical about Christmas-- BELIEVING.




Sunday, September 26, 2010

oboeworks nooooooo

So so sad that it seems as thought OboeWorks really will be closing their doors fairly soon, and for good. They are by far my favorite supplies store, with the most decent prices and great service. They are advertising a tube cane blowout sale right now and apparently have more sales to come so check them out before they are gone forever-- I will miss them so!
In other news, this week was seemingly uneventful- all of my students are doing great and I was even able to get some reeds going! Who know I could actually have time to stockpile enough reeds to be able to offer some to my students. This is a win-win situation because they get some great reeds and I get a little bit of extra $ which these days, with gigs few and far between- can't hurt one bit!!! Keeps me busy and productive anyway.
I was forewarned long ago by my first, favorite, and best teacher-- well, teacher has never quite fit what she actually was for me. Teacher sounds so one dimensional to say sometimes... she was a friend, big sister, educator, mentor, kick in the ass, everything I needed in my oboe life and in my life life too. We'll call her an "amazing mentor and presence".
Anyway, I digress. She told me once of the loneliness and doubt that I would one day face before, after, and during audition time and preparation for big musical events. She was, as only an oboe mother could be- totally right. It can be a terrible time, when you are left doubting your abilities, yourself, everything about your playing- reeds, instrument, and everything that you have worked toward- the list could probably go on forever. I hate this about auditions. I am mean enough to myself about my playing, pretty much the last thing I need is some external force putting the nail in the coffin.
I am trying to be nicer to myself right now, and just working through things. It is the life of any artist-- lots of peaks and valleys. I need to find a way to look a bit more in awe at the peaks and a bit more nonchalantly at the valleys.

Monday, September 20, 2010

Long time, no post.

I'm back, I'm back, I'm baccccccccccccck. After a long hiatus, due to summer, visitors, moving to our new house, auditions, more students, and any and all possible other excuses, I am back here... writing.

My life has just been a whirlwind as the summer has closed and fall is creeping in. I wish it would creep a little faster though... or at all. It is my favorite season and we don't really get it in the desert. It doesn't stop me from buying everything pumpkin flavored and attempting to wear the cardigans in my closet.

I am once again an oboe player, making reeds and teaching students, and now; making reeds for students (only my high schoolers). I am trying to avoid the fact that I need a new oboe, my current one has cracked more times than I care to remember, (though ironically not since moving to the desert) and I am really starting to feel it aging. The poor topjoint just doesn't have the same ring that it once did though, it still feels somewhat decent. This supposed oboe purchase will be the first one I have attempted on my own, so it will be interesting. The whole, figuring out where to get $8000 thing. It is kind of like a riddle or puzzle, and I haven't quite figured out what to do.

I now proudly have 7 oboe students- 3 high schoolers and 4 middle schoolers, and I am pleased with all of their work and progress. Especially my older students who are all studying out of Barret and Ferling and even though they are sophomores and freshmen are advanced to a point that I am satisfied with. They are a bright spot in my week, and I love teaching ALL of them!
Since school has started, this of course means that I am also back to paraproing. Kind of a mobile oboe doctor of sorts for all of the schools in the district. The bulk of that job includes making suggestions on reeds, repairs, simple embouchure set ups, air support-- as much pertinent oboe info as I can cram into a 45-50 min. class period. It is hard because the main thing that they need to know is that they need a private oboe instructor... and I'm not saying it has to be ME, but it should be somebody.

No gigs yet this fall, and it has me starting to brainstorm some ideas. It is that constantly overriding question in many musicians minds; take control, or be controlled?

I don't know if I want to spend my life being controlled by external musical forces; auditions, politics, circumstances, other people. Maybe I want to gain some of that back for myself... still trying to figure out how to do that, but I know that is what I really want to be able to do. So I am thinking recitals, wedding music, chamber music, what can I do? I know that I want to have fun, and play music with bright, caring, like minded people. I kind of have a feeling this is how many a very special chamber group has gotten started...

Monday, August 30, 2010

EEEEeek!

THIS is awesome. That is all.

Thursday, July 15, 2010

Cute?

This is a YOUTH orchestra in Taiwan. It is pretty amazing. While the slow opening challenges this kiddos quite a bit, the Allegro is pretty darn good!!!!!

Summer

It has been a little while since my last post!

Summer is in full force, and it is HOT! This week we are in the 120's here in the Las Vegas area and as you can imagine-- the word "miserable" is putting it nicely.

The last few weeks have been busy as we prepare to move into our HOUSE! It is very exciting! I have had a blast getting a chance to play quite a few PHANTOMS and finally getting to teach my students out of a set location instead of driving all over the city-- it is great!

I am beginning prep for an audition, trying to get back into my reed routine, though it is seeming pretty difficult right now! With so much going on, it is hard to really tie myself down to the chair to practice, let alone make reeds-ugh. I need to start the (slow) process of normalizing my routine again though because before long I will be back to the school year schedule of teaching and along with that comes the flow of gigs once more.

Excited about the chance to play a set of PHANTOMS this week, I can't really think of a more fun gig. Not only is it just great music, the atmosphere of a Broadway show is just so much FUN--everyone is very happy to be at work- that is for sure! That, and I get to wear my sassy concert black-- not my usual puritan wear. My Mom was sweet and suited me up with some cute sleeveless tops and even a pair of jeweled sandals at Ann Taylor when she visited at the end of June. Only in Vegas does concert black include lots of sparkle... maybe this really IS the place for me!

Tuesday, June 15, 2010

Ebay of the Day!

This is one that I actually own! It is framed and hangs in the music room with all of the other serious stuff like diplomas ;)

My Mom got it for me one Christmas long ago, and I think I was still in total denial of just how far gone with the oboe I really was. I finally pulled it out of hiding and put it up as a reminder that while there are a lot of serious aspects of being a professional musician, it doesn't have to be serious ALL the time!

Insomnioboe

I very, very rarely suffer from insomnia. Tonight is one of those nights -I just cannot fall asleep and of course, it is one of the nights this week that I need to sleep. Tomorrow is Teaching Tuesday and I am not only adding a new student, but I am moving my home studio student that lives in town to an earlier AM time! Yikes!

It would be like someone granting me a magical wish to be able to stay at home or any set location and teach my students (I really like the idea of being at home though!!!) My teaching is probably the job affected most by my commute. It is easy to come in and out of town for gigs; they have ONE set location and time-- very simple. My students however, really cover the map of the city and while I hate to sound like a wimp about it- it is very difficult to drive from place to place in Las Vegas traffic often times in a hurry.

I HAVE to find a place to settle down and teach in Las Vegas. I am getting annoyed that the major music store in town has not responded to the resume and request that I put in for a room and time slot... I guess I will just have to be a pain in their side ;)

I just have this dream vision of my nice little oboe room with all of my alphabetized music, my reed desk, my oboe sitting on it's peg, and me sipping some tea waiting for the next student to waltz in. Well... I suppose I will just have to keep dreaming until I can start some more kids on oboe this fall here in Mesquite. While I know that I will never have a studio here at home like the one I have in Vegas- I really hope to at least begin to create some turnover into the High School here which hasn't a single oboe kiddo.

(I know that I have talked a little bit about the town we live in before, but to put it in perspective- there are two elementary schools, one middle school (where my husband is the band director) and one high school. In Las Vegas there are about 50 middle schools and 30 high schools that I visit as the district oboe specialist.

Well now, writing all of this has made me a little bit sleepy. I had better try and go get some rest or I will not be a very fun oboe teacher tomorrow!

Monday, June 14, 2010

Better Homes and...oboes

Kind of want these for the music room. Cool idea, but I shouldn't get ahead of myself... we still haven't heard back about the house! Ahhh the waiting game continues...

Friday, June 11, 2010

Bach - Brandenburg Concertos No.2 - ii: Andante

Something familiar, but perhaps with a twist. Many of us are used to playing some of these arrangements with creative instrumentations, and usually on modern instruments.

I always love listening something I have performed or am going to perform, performed in its most original format. Oboe players have an interesting challenge of presenting our repertoire which is rooted deeply in the baroque and classical style periods. Though I do not play a period instrument (I have tried, and it was pretty hairy ;)) I think there is something extremely valuable in applying baroque performance practice to a modern performance on a modern oboe.

Plus... its just lovely to listen to a great baroque group like this. Everything suddenly seems so much less complex, and the "air" of the movement really comes through- that is to say, it gives the audience a strong feeling or impression. Just beautiful.

Fun Stuff!

This week I ordered some new reed thread- I have been on the lookout for some pretty new colors, having recently acquired navy blue, deep purple, and a pretty red.

My color choice this time was magenta! As seen in the photo in the top left corner, cannot wait to have some magenta reeds!

Tyler reminded me that technically I have more than enough thread now to last a lifetime... he just doesn't understand ;) As oboeworks said it best, "Honestly- colors are the ONLY fun part about making reeds".

Wednesday, June 9, 2010

Musical Desserts

I am not one of those teachers that is going to make my students play what I assign, and ONLY that material. Playing the oboe is hard enough as it is, and it really takes some patience and buckling down in the first years of learning how to play. The rate of progress for a young oboe player runs at it's own rate and it can seem slower than other instruments.

I really think that it is important to give young students some musical dessert from time to time. They need to stay excited about the oboe, and avoid getting stressed or discouraged... and summer is the perfect time to have something sweet :)

I have a few broadway books, movie themes, and and trying to collect some more fun musical selections. Any and all suggestions are greatly appreciated for beginning level through high school level!

Monday, June 7, 2010

World Equestrian Games Music - Karl Der Grosse

Ok, this is my last video post.... at least for tonight. I think I am really just looking for an opportunity to wear a costume and play the oboe... good thing I work in Las Vegas, I just might get my wish one of these days!

the oboe

what. in. the. world??!

Music House "Must-Haves"

We are shopping for our first house.

It is really way more work\stress\time\excitement than I had anticipated, but after seeing pretty much everything our little town of Mesquite has to offer, we are ready to make our offer.

This may sound kind of funny, because well, we have only been house hunting for a couple of weeks now. However, we live in a town of tiny proportions and there isn't a ton of searching high and low that can be done. We have seen some real pieces of work, as there are many foreclosures in town, and we have seen some really nice houses slide out of our grip due to our popular budget range. We have finally found one that we are ready to put an offer on the table for and it has EVERYTHING!

One of the GREAT things is that the house has vaulted ceilings in the open living room (ahhh the acoustic potential) and a perfectly sized little front room that I can see being used as the "music room". We don't have kids, but we have MUSIC to think about! Where are we going to teach lessons, and practice, and (eeeK) make reeds? This little room and its location have been an important feature in our search for the right place to live and we are really excited to have found a good one- it even has a view of the mountains for me to stare off at as I practice!

Anyway, the journey to WHERE ARE WE GOING TO LIVE? has been a bit of a long one, so it is nice to finally have something kind of exciting happen. We have been mulling over where to live for awhile, not just where in Mesquite, but where WHERE?

I am really, really happy to say that work has really picked up for me in the last few months. I kind of went from 0-60 really quickly and so that has posed some interesting challenges... numero uno being that I have been doing a pretty serious commute. The problem arises in that, Tyler's job is wonderful. He is really making a difference in the way people are thinking about music in this little town, and there is really no reason for him to leave right now. I am really happy for him, and proud of him, and excited to see what can come of his impact on the arts community here in little Mesquite. So in the meantime do we;

1. Move to Vegas- Tyler commuting every single day for work

2. Stay put here in Mesquite- with me driving in per gigs\students

(Ohhh I should say that THIS is the distance I'm talking about)

There is an obviously sensible answer, however, it does not work in my favor ;) It will be OK, I mean all of us have to drive here and there- it just becomes part of being a musician. It is 100% worth it to drive 90 minutes to do a job that I love and enjoy as much as I do playing the oboe and teaching kids how to play it. Would it be easier if I didn't have to travel- YES... but I am assured that there will come a day and another town, and another house when this will be the case.

Repair Portfolio - Db/Eb Key Assembly Repair on Oboes

This is pretty interesting stuff... at least for the repair challenged, oboe girly girl :)

Saturday, June 5, 2010

Can't Resist a deal!

I think that my talent for shopping was developed at a young age. It is something that the women of the family have always done together, my mom said that she and her grandma and mom used to go on shopping trips and have afternoon tea in the big department stores.

I didn't really need to shop online until I started needed MORE oboe stuff! Most town music shops just don't carry the array of complicated tools that we double reeders need, so by the time I got to college I was an online shopping pro :)

Here is ANOTHER ebay deal...

Friday, June 4, 2010

Baroque Dance - Passacaille from Armide (L'Abbé, Lully)

SO beautiful. I love baroque dance, and it REALLY helps you understand and "get inside" the music. We tried doing this in one of my baroque performance practice classes in grad school, the results were, unfortunately, much less graceful than this!!

It was really an eye opening experience and I don't know if I will ever play this genre of music without trying to picture how someone might dance to it!

I think the oboist should definitely have her own lady outfit though! I realize that "back then" it would have pretty much definitely been a male player but still! A fancy dress would be good! :)

Thursday, June 3, 2010

Yummy!

The EXACT model of oboe played by my former teacher, Ms. Pamela Smith- 2nd oboist of the San Francisco Symphony. She calls it her "chocolate ninja oboe".

Kind of lusting after it's beauty... and if I ever win a second oboe job, I am definitely going to think about a yamaha for it's low note response and chameleon like blending capabilities!

Minkov Landscape English Horn and Piano

Really pretty, from Leonid Sirotkin, the oboe professor at my alma mater, DePauw University. (My teacher left when she got her job with the Buffalo Philharmonic).

I did have the pleasure of playing some Mozart for Leonid (and the other candidates for the job) as was my duty as a student "guinea pig". I was the only graduating senior, and it was a good thing for the other students to be able to sit back and get a feel for the teacher without having to worry about playing. Overall the whole experience was very interesting!!!

Anyway, I digress... he is a great player, check out his other arrangements too... they are beautiful and I really wish they were available for purchase!

Jobs

There hasn't been a new oboe job posted for awhile. Today one came up and it is a military job... these always spark my curiosity and I start thinking a lot about "what if"... kind of like with the reed business idea.

Most of these jobs have a great starting salary, good benefits and offer a lot of security... all very appealing to the uncertain future of a little freelancer like me. Sadly enough, the first question that always pops to my mind "what about basic training???!", and "do we have to wear that uniform ALL the time??".

I know I am ridiculous, these jobs are really important and they are SERVING our country just like any other officer. I just don't know if I can get through weight watchers online, let alone having to play the oboe AND run through mud fields and do ropes courses and shoot guns... that is asking a lot!

Wednesday, June 2, 2010

Summertime

For most, summer is a shift in the daily routine. Here at our house, my husband is winding down at school (he is a middle school band director- brave and patient!) and gigs have slowed to a current halt for me as many of the ensembles in Las Vegas are off during the summer. It is always nice to have a little break and catch up on some of the non oboe things in my life like chores, planting some flowers, and playing with our cocker spaniel, Pixie.

Of course, oboe things always sneak in. I still have my practice routine and some performances\auditions to think about as well as my private students one day a week. Out of habit\just knowing that the time will come when I will need them, I have continued my usual reed routine resulting in a bit of a (dare I even say it!!!) overabundance of reeds at the moment.

The notion of a "summer job" has even crossed my mind. We are thinking of buying a house and it would be great to have the extra cash- then the same old idea comes back to haunt me...

"WHAT IF... I opened up a reed making business???"

In theory- yes it should work. It is something that incorporates my college and graduate school training, I have plenty of supplies and now with my gouger, much more control over my final product. I am able to produce consistent reeds that I am proud of and pleased to play on... but what about other people???

I have always kind of thought that just like different oboes, there are different oboe players. When I was in San Francisco, only two of us played the same type of horn and all of us had some pretty different reed styles.

My reed criteria are as follows (and in this order)... but I know this varies from person to person.
1. stability
2. intonation
3. response
4. tone

(If some of you would like to comment with your reed criteria ranked in order of importance to YOU, I'd love to see it!)

This little venture would definitely keep the summer more busy and interesting- to say the least! I just don't know if I am ready for such a thing.

We will see.

Liang Wang Oboist?

Multi talented NY Phil oboist Liang Wang shows off his skills on the harmonica!

Tuesday, June 1, 2010

wow.

I kind of want to see the kind of person who would actually buy and WEAR this.

Shhh! This is special.

For awhile now (since the beginning of my undergrad studies) I have used a Landwell knife to make my oboe reeds. They are of excellent quality, hold a sharp edge, and seem to last quite a long time when they are taken care of.

Some places are charging upwards of $80-$100 for these knives, though the only one I have ever paid that much for was the first one I ever bought!

If you are a fan of this knife, I suggest you check out a little music shop in Bloomington, IN called PROWINDS, or of course, visit their site.

When you search for Landwell knives through the search option on the left hand side of the site's home page... you won't be disappointed with the results ;)

Sunday, May 30, 2010

Sleeping beauty

Today I had the pleasure of a totally lazy Sunday. I spent it with my friend Amanda and her two little ones, Kaycee and Connor- they are huge fans of Disney, as am I and I thought it would be a big hit to bring over some of my DVDs (yes! I own Disney movies... questionable huh?) The chosen one for this afternoon was Sleeping Beauty.

Even as a kid, I always noticed the music in the movies I would watch and especially loved the music from this movie (I should not wonder why Tchaikovsky is one of my favorite composers today!) I explained to my friends that the music in the movie comprised of bits and pieces from the Tchaikovsky ballet, they thought this was really cool!

This point in the movie always scared me the most- it is creepy! It is also totally enhanced by the music, which features a little bit of oboe. Now, I don't usually make it a point to get too in depth with my career and the details of the oboe life with friends (unless they are an oboe-er too!) However, this was a good opportunity to say; "Hey! Hear that? THAT is the instrument I play... yea the creepy sounding one!"

Friday, May 28, 2010

To be honest with you....

One of my first MAJOR draws to the oboe... (and still brings a pretty big smile to my face)

Ebay Deals

I am not ashamed to admit that I am a pretty avid ebay-er. I find it a great way to save tons of money on many of the things need\want- even OBOE things!

I never recommend buying an oboe on ebay, it is just too much of a risk and you have no idea what you're getting. Though once in awhile there seems to be a diamond in the rough the pops up out of nowhere like the pristine rosewood AK Loree Royale a couple of months ago that I lusted after for a minute or two ;)

However, I really do recommend scouring ebay for reed making tools, reed cases, instrument cases, and of course all of the fun oboe gift items like stickers, etc.- you can find some GREAT deals.

All of this being said, I am going to feature an ebay item from time to time on here that is either a great deal, or a great find.

This LOT of items may not seem "cheap", but believe me- it is a great package of items and a really excellent price!

Wednesday, May 26, 2010

Tik...Tik...Tik...Tik...

Tempo, Pulse, Beat... whichever one you choose, this is a really important concept to a musician. In lessons this week we talked a lot about the importance of keeping conscious of it during our practice, rehearsals, and performances.

This is different from person to person, and often depends upon the complexity of the music, and the level of the player. One student in particular was having trouble mapping this process out this week, it brought to my attention how important this concept is.

I first asked the student what is going on in is mind and body as he attempted a short tune in terms of steady pulse. Not suprisingly, he didn't have a plan- so we created one. The first step is choosing a tempo, and it doesn't have to be fast- in fact, it shouldn't be. The most important thing is to decide upson a pulse- and commit to it.

1. I asked the student to tap the pulse he desired, I feel like this really helps with that whole idea of commitment to the beat

2. The next step is to sing, or number count through with a metronome going

3. If a student is OK with it, it can actually be helpful to have a physical tap on them while playing, such as on their shoulder

4. I am not at all against foot tapping, but the goal is to tame it down to "toe tapping" and finally just feeling the pulse internally- I think this is definitely a kinesthetic issue and it helps to feel the pulse in your body somehow

Another thing we tried was actually conducting a simple 4\4 beat pattern so that the student could thing about things from that point of view, sometimes even visualizing a conductor can help.

As with many issues that my oboe students encounter, however, it can easily enough be tackled with some serious practice time with a metronome :)

Pretty fun stuff...

Tuesday, May 25, 2010

A little end of the year fun...

When I went to my first IDRS conference in 2007 at Ithaca College, I was thrilled to find THESE at the Nielsen woodwinds booth.

I am making my students' end-of-the-school year certificates and giving them a sprinkling of oboe here and there :)

Bruce Haynes: The Eloquent Oboe: A History of the Hautboy from 1640 - Oxford University Press

OUP: Haynes: The Eloquent Oboe: A History of the Hautboy from 1640



- Oxford University Press


Newest book that I am looking forward to tackling!!!

Oboe vs Soccer

Gonzalo Ruiz is an amazing performer. I had the pleasure of seeing him perform live in San Francisco a couple of times during graduate school, and he is seriously inspiring.

Here, he discusses music vs athletics :)


Every oboist's worst nightmare...literally.

I am a really light sleeper, always have been. Even as a little kid I NEVER wanted to take a nap, afraid that I might miss something... yep- that much anxiety.

I do dream quite a bit, and surprisingly only have a couple of "oboe dreams" every now and then, usually leading up to a major performance such as a recital.

The typical scenario goes something like this:

I go to take my oboe out of the case and begin warming up on any given day, and look it over quickly for cracks. I do actually do this, not every time I go to play but probably a couple of times a week since I have been living in the desert for under a year and still am not totally sure what it is capable of and since I have a history of cracking oboes!

In this particular instance, I notice that a crack is looking a bit open- then all of a sudden, right before my eyes, the crack begins to circle around the entire oboe-bore deep and the instrument pretty much crumbles in my hands.

Crazy? Yep.


Monday, May 24, 2010

"Make your weakness your strength"

An professor of mine during my undergraduate studies said this to me once. I am pretty sure that I was griping about my slow articulation, and it being a problem in a certain passage. This professor was not "myyyy" professor (oboe) but she was a bassoonist and so she understood the ins and outs of "double reed excuses". She simply looked at me and said, you know Caitlin- look at it this way, make a challenge to yourself to CHANGE that. Make your weaknesses your strengths.
It is easy as oboists to focus on the endless imperfections in our playing, reedmaking, and performing. I think that we as oboists lend ourselves to a certain personality type that is unforgiving at times and overcritical, however, one of our strengths is diligence- it HAS to be! To put up with crazy reeds, even crazier fussy instruments, and a host of other problems, we have to be STRONG!
One of my biggest oboe weaknesses is reedmaking- I have no problem saying this! It is HARD for me- and I am not one of those people who races to their reed desk to find what new scrape or tying length or gouge setting will create the perfect reed. Though through the help of that little mantra- I am getting on the right track toward that frame of mind.
As a freelancer, I have a pretty dotted schedule and during the week, especially Mondays, most of Tuesday, and Wednesday I have a ton of free time. During these times I have taken to just making reeds at the same pace I was in during undergrad. Just turning them out and seeing what I get, whereas the ultimate goal is always to make a few EXCELLENT reeds that will last quite awhile.
This has helped SO much, after a few months of actually practicing my reedmaking it has gone from zero to sixty and I feel like I am finally at the point where I am consistently turning out the quality of reed that I look for in order to perform on comfortably. Not that I am EVER going to go into the commercial reed business (my hat goes off to those of you already in business), but for my own purposes, I am extremely pleased with myself :)

Thursday, May 20, 2010

Tips for Buying Your First Oboe


Karen Birch Blundell gives a great talk on buying an oboe.

oboe shopping

I LOVE to talk oboe-shopping. Who wouldn't?! It combines two of my absolute favorite things; oboe+shopping= pure excitement!

So when something goes awry- it can dampen the mood to say the least.

My very first Las Vegas oboe student came to me this year as an eighth grader and member of a notable area middle school music program. Her interest was sparked when I visited her school on one of my first para-pro trips and soon she began lessons with me.

Now, I know I have blogged on this subject in the past but it is something I am faced with a lot so bear with me. The two biggest issues I face in my para-pro job are malfunctioning oboes and inadequate reeds. Middle school students make up the bulk of my work in this job, as many high school oboists have already established themselves with a private instructor (or think that they don't need help ;) ).

Students receive their oboes from one of the following:
Their School
A local music store (if you can believe it there are only two in the entire city that rent oboes to students)
Purchasing their own

Many times music stores will not only rent oboes to families, but also offer a rent-to-own system which has the family eventually owning the instrument. Thus was the case with my little student. There is no way of saying this politely, and as I have learned these past few months, no sense in beating around the bush... the oboe is absolutely HORRIBLE.

All of the notes technically play, however, about 80% of the original pads have been replaced with cheap white ones, and many of the screws look as if they are coming out of the posts too far, though they are too tight for me to even try and turn!!! Almost as if they were meant for another instrument. The biggest problem my student is having with it is the intonation. The notes over the break of the oboe starting around octave E-natural and crossing up into the G area and beyond are so sharp, it sounds as if you begin to play in another key past the break!

The family is frustrated because the instrument is not working properly and I am frustrated for them! They have taken it into the shop numerous times to try and get it repaired or at least improved but there is just no use. They are moving this summer and had planned to pay the oboe off early and take it with them, but now are so angry at the idea that they are getting "cheated" out of an instrument I feel as though they are going to do battle with the music store (they actually asked if I could go too!).

There was no way I was going to get in the middle of a war between customer and business. YES this is a student I care about, and yes my opinion might lean toward the idea that this family IS in fact being cheated by a dodgy shop, however, these two parties entered into an agreement on a horn that has nothing to do with the oboe lady over here. The only thing I could offer was a detailed description of what seemed to be the problem with the oboe, and god help me; my card for them to contact me if absolutely necessary.

The important moral to my long tale; do NOT enter into an agreement, or purchase an oboe that you have not researched, tested, and talked about with your private instructor or if you don't have one, a local authority (university, or college oboe professor).

There are so, so many wonderful resources available out here on the wide web these days. One of the best sources of advice I have seen are Dr. Martin Schuring's tips on oboe purchase.

If you are unsure of the quality of an instrument, it is best not to act too quickly, go home and take a little bit of time to research reputable dealers, and dependable brands of oboes. Remember, music store employees are often middle and high school band directors, and amateur musicians, you will come across VERY few who are oboe experts.

Good luck, and have FUN trying out different types of oboes!



Tuesday, May 11, 2010

Glitter!

One of my favorite (shameless!) versions of this favorite! I had the pure pleasure of playing English horn with the Las Vegas Philharmonic on their last concert and "Glitter and be gay" was one of the excerpts included in the "Opera for people who think they hate opera" theme.

(I love opera!!!) And this.... well it is just FUN!



Thursday, May 6, 2010

Sing N' Play

One of my students has a particularly difficult time with pitch on the oboe. He has a good setup with the embouchure, and I am pleased that in general he takes the time to think about his embouchure formation before he begins to play, however, as he is playing he begins to immediately move the placement around.

Intonation on the oboe is affected in different ways than on other woodwind instruments. Since we have a different shaped bore- what is called a conical bore as opposed to the cylindrical bore of say a flute or clarinet. This just means that an oboe starts smaller at the top and gradually gets bigger by the time you reach the bottom, just like a cone. Instruments with a cylindrical bore stay the same over the length of the instrument.

Because of this unique bore shape, oboe players cannot simply "push in" or "pull out" like you would a slide valve, or clarinet barrel, or sax mouthpiece. If we did, it would break the airtight seal between our instrument and the reed- (i.e. waste all of our valuable air).

We need three things to play in tune:

1. Oboe in working order
2. Reed which will crow a "C" at A=440
3. Proper embouchure set up

So I put my student through a little exercise, somewhat painful to the ego of the 6th grade boy- and asked him to SING. Most students HATE to be asked to sing, they will tell me "this is why I chose to play an instrument, I can't sing" or just sit there awkwardly for minutes.... seriously not budging until I either laugh or start singing myself :)

My answer to all of my students is; YES YOU CAN. The act of reproducing a given pitch or intoning a pitch is something that anyone can do with a little practice and either a tuner or piano. Intoning the pitch helps to get the note from in your mind in being in your BODY. This is a really powerful thing, and generally after only a few tries has the student playing much more in tune.

My assignment to my student was this:

Choose the scale you want to work on, (we first used a B-flat Major scale) and take each note separately:

1. Either reproduce the pitch on your tuner (yes they can do this!) or sit at the piano and play the first pitch

2. Wait until you have the pitch firmly established in your mind, then SING the pitch

3. Finally, play the pitch

I know, I know, it sounds SO simple- and it is, and it REALLY works.

Saturday, May 1, 2010

Keeping Score

MTT and the San Francisco Symphony have been making "Keeping Score", a documentary series which takes viewers literally inside of the orchestra.

I love watching these, it is so interesting to see (and hear!!!) the orchestra from this unique vantage point.

http://www.youtube.com/watch?v=Vf0e_n49dcQ

Check out The Rite of Spring! That is my former teacher, Pam Smith on 2nd oboe looking and sounding beautiful!

Wednesday, April 28, 2010

Vegas Oboe

Lots of superstars come to Vegas on a regular basis to do gigs of their own, I am so so so excited this week to be part of the orchestra backing this lady...

My first Vegas star moment!



Bernadette Peters!

Like most kids of the 80's my first memory of Bernadette Peters is her role in a little number called ANNIE. The 80's-tastic version with Carol Burnette and Tim Curry... so good.

The Oboe\EH book for the show is very nice, though I tacet quite a bit- there are some juicy solos to make up for it.

Is it totally unprofessional of me to ask her for a picture with her? ;)



Friday, April 23, 2010

Just call me.... Dr. Oboe

I have quite a few different "jobs", as do many freelance musicians.

Private oboe instructor
Oboe and English horn reed maker
Ob\Eh sub for Phantom at The Venetian
AFM 369 gigs
Clincian for Middle and High School honor band and solo and ensemble festivals
Clark County School District Oboe Parapro

In other words, oboe-everything, every day. I am really into what I do, (I mean, you would have to be to be writing a blog about oboe!!!). I love the music, but I love, LOVE, <3, the OBOE...
It is my business, which is why I have very strong feelings about "oboe education".

I want to talk about why private instruction is so important if you are interested in pursuing the oboe whether it is through middle school, high school, college, and beyond.

I encounter many parents and students who are of the mindset that since their child is enrolled in a band or orchestra class in school, shouldn't they be learning all they need to know about oboe playing in class?

The short answer is "no".

The long answer goes something like this; a middle or high school band director is like a
doctor. A general practitioner to be precise. They are trained to be outstanding all around musicians and spend at least one semester of their undergraduate career learning each and every woodwind, brass, percussion, string, and even a bit of vocal pedagogy. I can remember my my husband worrying about his bassoon playing, and taking pride in his percussion technique (not to mention being pretty good at oboe!).

Anyway, while band directors do their best in a short semester to try learn all of the ins and outs of the oboe- it is not the same level of experience as someone who:

Began playing oboe at age 11
Studied oboe with college professors as a high school student
Obtained an undergraduate degree in oboe performance
Obtained a graduate degree in oboe performance

While the music education majors (band directors) were busy learning all of those other instruments (along with taking education courses, and pyschologoy, and science, and all kinds of intense stuff), I was learning how to play the oboe, I was learning how to teach the oboe, and I was learning how to make oboe and english horn reeds.

So- you wouldn't go to your general practicioner if you had a heart murmur would you? You would go to a cardiologist, a specialist.

See where I am going with this?

A private oboe instructor is a specialist, someone who can bring out the potential which lies within each beginning oboist.

There are many reasons to study oboe privately- whether it is to begin training to be a music major in college one day (in this case private instructor is an absolute necessity!!!), or simply having a desire to learn an instrument and learn it well.

A good place to begin searching for a private oboe instructor would be by simply talking with your child's band director. Many times, directors keep a list of private teachers and their contact information.

Good luck finding your own Dr. Oboe!

Thursday, April 22, 2010

The care and keeping of... your oboe?

One of my students is fortunate enough to be in the process of buying an oboe (well, his parents are ;)) He is a sixth grader and still VERY new to the oboe.

I know this sounds somewhat strange, because it is coming up on only a month left until the end of the school year and he should at least know how to play a few scales and be practicing simple articulations, etc.

He hasn't had a working oboe the entire school year.

This is one of the biggest issues that I face working with young oboe players here in the Vegas Valley- oboes which will not play and are so far gone that I don't even know WHERE to start.

Last time I checked, Nevada was ranked 50/50 as far as education goes in this country, and each day I wait to see if my parapro job will be around next year (it is a position that really seems like a HUGE luxury to teachers and students, therefore not absolutely necessary).

The school district has several instrument repairmen on staff and it just seems like people aren't using them!

Anyway, this student has been frustrated all year with a band director who is telling him to take the oboe home and "finger practice" ( this is actually a great way to practice, but not for a beginner who hasn't even had a chance to get familiar with oboe embouchure, finger placement, air support, etc.). The frustrated parents found my website and gave me a call hoping that I could help- unfortunately, there is not very much I can do as far as instruments for my students.

The first thing I noticed on this students oboe (that his band director should have noticed as well!!!) was a crack in the topjoint as long as my hand and wide enough to stick a quarter in.
I asked the student if his band director had given him a swab for the instrument, or ever explained about the importance of maintaining a wooden instrument, the answer was NO.

So, here are some ideas for all of you young oboe players unsure about the upkeep of your instrument:

1. When we play the oboe, condensation builds up on the inside of the instrument (the bore). The same kind of condensation accumulated by breathing warm air on a cold window.

We need a SWAB to clear that moisture out every so often while playing, and always, ALWAYS, always after we are done playing and putting our instrument away.

I recommend cotton swabs, because they don't pull through the instrument and are less likely to get STUCK- yes this does happen and can be very detrimental to the oboe and your sanity!

2. Another important tool for maintaining your oboe is CORK GREASE, just a little, tiny, amount for the cork on your reed, top joint TENON and bottom joint TENON, or "corks" on your oboe. It doesn't have to be much, just enough to keep these parts moistened so that they easily go together when taking your oboe out and putting it away.

3. Most oboes have silver plated keys, and in order to avoid tarnish, a polishing CLOTH is a good idea.

4. Some oboe maintenence kits will come with a small brush for removing dust and dirt from the keywork. I prefer a very soft bristle paintbrush for this, found at any craft or hobby store.

5. Key OIL can help keep your key work clean, and in great condition, careful not to use too much! A little dab'll do ya.

These 5 are the bare minimum for students on plastic oboes. If you are a young player on a wooden oboe, you are very lucky! Though, you have some extra responsibilities that come along with this privilege :)

6. A humidifying device. Some people use a simple HUMISTAT that will fit easily into a case. Others prefer a DAMPIT. I am a little scared about anything that involves too much moisture that close to my oboe... but I have had HUGE problems with cracking oboes, every oboe I have owned has cracked. A more gentle, (cheap, and readily available for some of you!) option is using orange peels. YUP, you read correctly. They contain just enough moisture to do the trick and leave your instrument and case smelling lovely.

7. Something that has made a BIG difference for my instruments is oiling the BORE, or the inside of the oboe. This is a complicated process, and best left done by an ADULT!!!
Here are my personal, step-by-step instructions for this:

  • We need to protect all of the pads underneath the key work, it would be bad, bad, BAD if they were to absorb any oil!! I do this by using some kitchen tin foil and slipping it under any and all keywork that might be in the way of the oil
  • I work on one piece of the instrument at a time, even the little bell gets some alone time!
  • You will need turkey FEATHERS and some bore OIL
  • Put only a few DROPS of oil onto a feather and gently insert it into the joint you are working with, rotate a few times in a twisting motion GENTLY, repeat on the other two joints
  • Afterward, leave the oboe alone still with the FOIL protecting the pads. I usually do this on an evening and let my oboe sit overnight on its stand in one piece, covered by a
  • When you are ready to use your oboe, gently remove the foil, being mindful of the pads and springs!!! You're done, congrats!
This does not need to be done often, though I do it every few months on my oboe and English horn now and haven't had a single crack in over two years, even going between soggy San Francisco and the Las Vegas Desert!!! :)

As always, please let me know if you have any questions, or if you want to learn more about any of the products or care procedures I talked about today! :)

Wednesday, April 21, 2010

Easy as 1...2...3...

Another thing that has been popping up quite a bit this week in lessons, yesterday and today, (maybe I am just focused in on the same issues in all of my lessons, or maybe these REALLY are common problems for this age-middle school beginners) has been HOW and WHERE to begin practicing something.

I tell my kiddos this: Don't look at the big picture... yet. When looking at something for the first time (or even the first few times!) it can seem a daunting task. Especially for beginners!

Notes, Rythms, Dynamics, Breath marks, Articulations, Key Signatures, Time Signatures.... AH! There is a lot of information to be digested even in only a few bars of an Essential Elements tune.

The best way to get at this stuff is to break it down.

1. Notes- take a look at the key signature, and then go through the tune (if it is a short "band book" tune) note by note playing each note as if you were practicing a scale. Rhythm is not important right now, we are just doing this to prepare our fingers and air support for what is to come.
If you are a more advanced student working on a longer piece of music, I would say "chunk" it out, phrase by phrase and practice this way.

2. Rhythm- now it is time to either clap, tap, or count using a number system through your excerpt. This time, we aren't paying any attention to notes, you don't even need your oboe for this part.

3. Articulation- go through the excerpt and mark where you need to tongue with a "T". This can be especially helpful if you are working on slurs for the first time; for example- slur two tongue two. Make sure to keep your air going strong for this!


An optional #4 for more advanced players working on complex music can include adding in dynamics and other expressive nuances.

I like my students to know that once these basic areas are isolated and worked on individually, they are easily "quilted" together one at a time, creating the bigger picture.

Tuesday, April 20, 2010

Interval Practice

In my private lessons this week, several students are having similar challenges with large intervals, involving intonation and air support.

A few thoughts...

Student #1 was working on an etude which involved slurring octave C's and octave D-flats. The student was having some difficulty directing her air toward the low C, so we tried a few things. The first thing we tried was simply taking the slur out of the picture and articulating both notes, then we isolated the low C on its on and just practiced some simple attacks with prepared air support behind them.
The final thing we tried (also the most effective) was to turn the octave slur into an arpeggio so that she could really FEEL the space of the octave- it is a pretty big space to cover. We simply added in a G and E-natural and practiced arpeggiating downward several time, after this, blowing across the octave slur became much easier.

Student #2 was working on an etude which involved punching out some high C's, D's and even E-naturals (she is an 8th grader- go girl!). The problem was that she was overblowing quite a bit to ensure that the notes would speak and the result was some very sharp oboe playing. My suggestion to her was to practice playing octaves (wow, this seems like the word of the day huh?) coming at the high notes from beneath and really playing to the bottom of her sound with steady air as she "reached" for the higher notes. All of this is done best with a TUNER, I keep the tuner either right in my lap or directly on the music stand for all of my oboe students. While I don't want them to become so absolutely obsessed with it that they turn off their ears, it is still an important tool to begin training their ear to hear what is what.

Happy practicing your intervals and octaves!

Sunday, April 18, 2010

Selecting oboe reeds

Choosing oboe reeds can be quite a tricky task! Nowadays, there are many options for young players both locally in your hometown music store and now... ta da! Reed shopping online.

When I was a middle and high school oboist, there just weren't too many choices:

1. Buy whatever looked good at the local music store

2. Beg a teacher to make you a handmade reed

I have some helpful tips on what to look for when you are embarking on the search to find the most suitable reed possible whether it be for the beginning 6th grade oboist or the adult amateur musician.

If it is possible, HANDMADE reeds are the first choice.
Handmade reeds (not just hand-finished- yes there is a difference) are going to entail many important things. Firstly, the person that is making and selling them has probably been to college, and perhaps also grad school for OBOE. Sounds unbelievable, I know.
Collegiate level oboe courses teach the skills necessary to make oboe reeds completely from scratch starting with the main ingredient:

Arundo Donax= TUBE CANE!

Believe it or not, these pieces of "Bamboo" are the source of your oboe reeds, one way or another. Professional reed makers go through a number of steps in processing cane in this raw form, separating "good" cane from "bad".

The cane then goes through a number of processes (If you want a step-by-step analysis, feel free to email me or check out my website: www.caitlinpawl.com for info on private oboe and reedmaking lessons if you are in the greater Las Vegas area!)

It finally comes out looking like this:


At which point we can wrap it onto a staple:

My favorites are the Chudnow Sierra (2nd and 3rd from the Left).

And we end up with something like this:
An oboe reed "blank". Notice, that it is still essentially "bark" on the surface, it has not been scraped with a knife yet.

Another type of reed making is what most of you are probably accustomed to is the machine made, mass produced oboe reed. These reeds are composed of profiled cane that which is prepared by a machine rather than mostly by hand, and machine wrapped, often with little to NO hand finishing whatsoever.

These reeds have become popular due to the fact that they are quickly made, get an easy response for most young players- that is; they do not have much resistance at all. Lastly, they are CHEAP, many costing $10 or less.

Doesn't sound all bad, huh? TRUST ME though.... it is.

Oboe cane spent the better part of its life as a living, growing, plant. It is sensitive to temperature, moisture, and weather.

When it is basically "shucked" through a profiling machine, taking off a great amount of cane at one time, it is a huge shock to the reed.

Handmade reeds are made over the course of many processes and scraped, dried, and re-scraped over a period of usually 3-5 days allowing the cane to "settle" into the idea of being an oboe reed.

It may not seems like it, but this makes a BIG difference in the outcome of the reed's response, tone quality, and longevity.

You have all heard the phrase "You gotta spend money to make money" Right?

Well.....
Its true.

Look for something like this:

If you can find a reed in a store that has the SPINE (thicker line of continuous cane down the middle of the reed) intact, with a strong, defined tip, that is a great starting point for a reed.
Some possibilities are:

Marlin Lesher Reeds (Machine made but hand finished) often neon pink\purple or neon green\blue

Stuart Dunkel Artist Reeds (Machine made but hand finished) orange in color


If you are in the market for professionally made, handmade oboe reeds, go to:


For a list of various reedmakers and their websites with selling information as well as helpful reviews.

As always, if you have questions about the information posted here, or want to learn more, drop me a line! :)

Tuesday, January 26, 2010

Oboe TIP of the day...

Playing the oboe is A LOT like singing...

I know, I know... everyone likes to think of their instrument as being closest to the human voice, but in so many ways playing the oboe really IS singing.

That being said, just as singers do, we can experiment with Vowel Sounds.

Just like witches, there are good ones and bad ones for us to play around with.

Good
Soft A (Ahhh or Awww) You know, what we say at the Dr.'s with the popsicle stick.

O (Ohh) and also Oooo

These sounds open up the inside of our mouths, creating more resonance and a fuller, rounder sound

Bad
Hard A (Ehhh)

Hard E (Eeee)

These sounds spread our mouth horizontally, closing down the area in which resonance is created


Turn on the tuner, and experiment on a B-Flat with each sound to find one that you like best out of the GOOD examples.

Thursday, January 14, 2010

Oboe Tip of The Day

My TIP of the Day!

High Schoolers:
When preparing a piece for solo and ensemble, college auditions, or honor band auditions, decipher what key it is in, for example D major. Next, fix your tuner to produce a D.
You can do this by holding down the calibration button (on a Korg) for a second until it produces the tone, then press it up until you get to D.

Play your etude, or piece through with the tonic pitch, D playing the entire time, try to stay within the pitch guidelines of the key signature, this will really open your ears!


Middle Schoolers:
Peg-A-Pitch!

Turn your tuner on, and try to land a trusty B-flat head on (you'll know this has happened when you hit the middle of the tuner and the light is only GREEN (again on a Korg tuner).

Don't be discouraged if this takes some work! That is the point of the exercise, realizing exactly how you need to adjust your air support and embouchure support in order to play in tune.

If you are sharp, first check the opening of your reed... if it is too closed, gently open it by squeezing it gently apart toward the bottom of the reed by the string.

If you are flat, push more air from your diaphragm, really SUPPORT!

Try for 3 B-flats in a row at A=440.

Tuesday, January 12, 2010

Oboe-To-Go

In order to reach a broader range of students (is that even possible, given the fact that I technically have a couple hundred oboe students?)

I should say, in order to cater to a broader range of student needs, I have decided to start something new. What could be better than a private instructor willing to travel to your home, or meet your child after school- at their school for lessons on a weekly basis- without additional FEES.

My job with the school district takes me all over the four corners of the Vegas Valley as it is, so I figure- Why not throw a few more stops in along my merry way?

I have to get things all set up and ready, but I'm thinking something like special Oboe-To-Go packages including things like a free reed for a months worth (4) lessons when purchased as a package on the first of each month. Contests for students, entering them to win a free mini reedmaking lesson and studio masterclasses... all sounds like fun!

The most attractive thing about all of this... Vegas is a difficult city to navigate, especially for parents, and even more so for working parents, limiting the accessibility of private music lessons for some families.

Don't worry, you order and I'll be there!

2010... year of the OBOE!

After a pause during the holiday season... I'm back.

Tons going on, and tons HAS gone on since my last post.

On December 5, I judged the CCSD High School Honor Band auditions, which was among other things, an eye opening experience. It really gave me an idea of the capabilities of some of the studies in the district, but more importantly it showed me that my services are desperately needed here... which really got me going with all kinds of ideas on ways to help.
The strangest thing about all of this is that no one is asking for help. I get requests from the same schools, on a rotating basis... I even have two regulars that I go to on an almost weekly basis. The majority of these are middle schools, I have only been in contact with a small hand full of high school directors.

One of the most consistent issues on the December 5 Honor Band audition:
  • Students not knowing Fingerings past high C
  • Students not knowing Scales, or not being conscious of Key Signatures
  • Sight Reading, Sight Reading, Sight Reading!!!! ( I chose the opening of Mvt.2 from Brahms Symphony No.2 for it's simple, yet varied rhythms including a triplet and the challenge of a grace note )
  • Most students had problems with Intonation, the majority being Flat in pitch

These deficiencies all center around basics:

Embouchure formation
Tonguing
Breath Support
Reed Selection
Instruments in need of service ( I came across my first absolutely-will-not-play-a-single-note oboe this week at a middle school )

I feel as though many directors themselves shy away from the oboe, because of its many "complications" and "specific needs"... perhaps not even putting students on the instrument because of their own insecurities. I have had countless directors admit this to me, which I can understand, but cannot be sympathetic. To these directors I say... forge ahead and face these oboistic challenges head on!

Or let me do it!!!

I think what will clarify a lot of oboe related topics, and provide some consistency within the district would be for me to give a presentation at some gathering of all of these teachers... I am practically BEGGING them to let me give a presentation on how to start an oboe student, how to choose GOOD reeds for your students, and how to taking care of instruments and reeds, saving you time and $$$.

At one middle school this week, a director asked me if his beginning oboes would be able to develop a good sound over time, and if would start to come along soon after my visit.
I explained to him that it would come quite quickly if they would not be allowed to play on reeds cracked down the middle, because this problem was causing them to play nearly a half step FLAT.

Of course it is my job to solve these types of problems for students and directors, however, if I would be allowed to make a presentation with some of the documents I have written made available to directors... it would help everyone SO much!