Of course, oboe things always sneak in. I still have my practice routine and some performances\auditions to think about as well as my private students one day a week. Out of habit\just knowing that the time will come when I will need them, I have continued my usual reed routine resulting in a bit of a (dare I even say it!!!) overabundance of reeds at the moment.
The notion of a "summer job" has even crossed my mind. We are thinking of buying a house and it would be great to have the extra cash- then the same old idea comes back to haunt me...
"WHAT IF... I opened up a reed making business???"
In theory- yes it should work. It is something that incorporates my college and graduate school training, I have plenty of supplies and now with my gouger, much more control over my final product. I am able to produce consistent reeds that I am proud of and pleased to play on... but what about other people???
I have always kind of thought that just like different oboes, there are different oboe players. When I was in San Francisco, only two of us played the same type of horn and all of us had some pretty different reed styles.
My reed criteria are as follows (and in this order)... but I know this varies from person to person.
1. stability
2. intonation
3. response
4. tone
(If some of you would like to comment with your reed criteria ranked in order of importance to YOU, I'd love to see it!)
This little venture would definitely keep the summer more busy and interesting- to say the least! I just don't know if I am ready for such a thing.
We will see.
Have fun with this idea. If you need any suggestions, I can help you out a bit.
ReplyDeleteCooper
Thanks, Cooper! I know you probably have a ton of great advice and experience to share!!!! I will definitely have some things to ask you if I can summon up the guts to get this thing going!!!
ReplyDeleteResponse is #1 for me. Without that nothing else matters. But the others, of course, have to be there too.
ReplyDeleteI absolutely hate reed making. (Just ask Cooper!)